WORKS

Selected photographic works

Urban Apparitions

Urban Apparitions explores the hidden psychological layers of contemporary cities through architecture, memory, and spatial atmospheres. Created in Berlin, Vienna, and Prague, the photographs do not depict specific places but transform urban environments into visual fields where architecture, light, reflections, and perspective dissolve familiar spatial structures. Moving between documentation and abstraction, the series reveals cities not merely as physical environments but as projection spaces shaped by perception, history, and cultural imagination. Urban Apparitions investigates how urban reality is experienced, remembered, and photographically reconstructed, exposing the invisible narratives embedded within the contemporary city.

Liminal Nature

Liminal Nature investigates forested environments as transitional image spaces rather than depictions of landscape. The series explores moments in which familiar natural structures begin to lose their visual stability and perception shifts between recognition and abstraction. Trees become signs, light dissolves into atmosphere, and spatial depth opens into ambiguous image fields. Rather than documenting nature, the photographs examine how landscapes are experienced, remembered, and imaginatively reconstructed. The forest emerges not as a subject in itself but as a perceptual threshold where external reality and inner experience converge. Oscillating between clarity and dissolution, the works invite viewers into spaces that remain suspended between presence and projection, memory and observation, the visible and the imagined.

The Animal Gaze

The Animal Gaze explores the image of the animal as a constructed encounter between presence and projection rather than as a documentary portrait. The series approaches animals not as symbols or carriers of human meaning but as autonomous counterparts whose appearance, posture, texture, and gaze resist fixed interpretation. At the same time, each photograph acknowledges that every act of seeing is shaped by cultural imagination and human projection. By reducing narrative context, the works intensify the encounter between viewer and subject, inviting reflection on the conditions through which animals are perceived and represented. The resulting images examine not only animal presence but also the nature of observation itself, asking what emerges when one gaze meets another.

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